Talks & Programs

200x270GlimpseSEP 19 | 8-9 PM

Inspired by UMOCA’s exhibition Bikuben, Danish choreographer Charlotte Boye-Christensen from NOW-ID captures themes of home, belonging and identity in this one night, brief, performance right at 8:30 PM. Experience captivating movement performed to the eclectic sound of Figura, a Danish music collective.

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SEP 3 | 7 PM Video Games | Philosophy | Contemporary Art

Hosted by UMOCA, Alex Johnstone and C. Thi Nguyn

LEVEL UP is a series of panel discussions that will navigate beyond invisible walls to touch on a variety of philosophical topics. Each of five discussions will question the artistic quality of environment aesthetics, investigate player experience as a greater narrative and explore the social and ethical implications of in-game economics and open world creativity on global society.
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Glenn Weyant artist Q&A with Rachel Povey and Aubrey Hawks

Glenn Weyant will share his experience creating “The Anta Project,” a sonic collage played on the US/Mexico border wall separating Nogales, Arizona, and Sonora, Mexico.

Weyant’s transformation of a dividing wall into a unifying piece of music will be the topic of discussion, led by “In Motion: Borders and Migrations” contributing editors Rachel Povey and Aubrey Hawks.


  1405704696HomePage-SM-FASAUG 31 | 7 PM GUEST ARTIST TALK How do you avoid conflicts of interest in the art world when the stake  are high, the egos are fragile and fame is fleeting? Pollock-Krasner Foundation award winning artist, and successful gallerist, Robert Yoder will discuss the difficulties and tensions between advocating for himself as a nationally known artist, and in promoting an arsenal of artists that he represents as a gallerist. Robert’s struggles and triumphs in Seattle, a town to which Salt Lake City can look for analogies in the development of a contemporary art scene, can serve and both inspiration and a cautionary tale to our city’s creative community. This talk is part of UMOCA’s Artist in Residency Program which is generously sponsored by the Richard K. and Shirley S. Hemmingway Foundation, and the R. Harold Burton Foundation.


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